Jazz Fest weekend! New Orleans is saturated with sound - sensory overload! I end my day listening to classical music, unwinding, when the Cambridge Singers rush through airwaves into my living room. I'm overwhelmed. Tonight, I salute the masters of music, inspired at this hour by
When Mary Through the Garden Went by Sir Charles Villiers Stanford.
My God, what sweet sounds -
the choir’s timbre, voices
too pure to be mortal, these
unseen waves, sonic vibrations -
scintillating ephemeral
glimpses of the Spirit
formed by human lips
from the depth of human hearts.
The artist transfers a vision
from his mind’s eye
to canvas or clay,
using colors and textures
with masterful command
to create a tangible, tactile,
temporal object to hold
and behold. . .
Dancers leap and sway,
moving to the rhythms
and currents of musical scores,
creating visual expressions
of lyrical themes,
the pageantry of passion, life,
and death intersecting space
leaving no trace. . .
Ah, but, the composer’s gift
mystifies me most -
bringing order to the cacophony,
capturing and combining airs,
from inside his head, translating,
then encoding melody, harmony,
and tempo for other voices -
a sorcerer-magician whose
work exists in ether.
Try to remain with a feeling and see what happens. You will find it amazingly difficult. Your mind will not leave the feeling alone; it comes rushing in with its remembrances, its associations, its do’s and don’ts, its everlasting chatter. Pick up a piece of shell. Can you look at it, wonder at its delicate beauty, without saying how pretty it is, or what animal made it? Can you look without the movement of the mind? Can you live with the feeling without the word, without the feeling that the word brings up? If you can, then you will discover an extraordinary thing, a movement beyond the measure of time, a spring that knows no summer.
the choir’s timbre, voices
too pure to be mortal, these
unseen waves, sonic vibrations -
scintillating ephemeral
glimpses of the Spirit
formed by human lips
from the depth of human hearts.
The artist transfers a vision
from his mind’s eye
to canvas or clay,
using colors and textures
with masterful command
to create a tangible, tactile,
temporal object to hold
and behold. . .
Dancers leap and sway,
moving to the rhythms
and currents of musical scores,
creating visual expressions
of lyrical themes,
the pageantry of passion, life,
and death intersecting space
leaving no trace. . .
Ah, but, the composer’s gift
mystifies me most -
bringing order to the cacophony,
capturing and combining airs,
from inside his head, translating,
then encoding melody, harmony,
and tempo for other voices -
a sorcerer-magician whose
work exists in ether.
Try to remain with a feeling and see what happens. You will find it amazingly difficult. Your mind will not leave the feeling alone; it comes rushing in with its remembrances, its associations, its do’s and don’ts, its everlasting chatter. Pick up a piece of shell. Can you look at it, wonder at its delicate beauty, without saying how pretty it is, or what animal made it? Can you look without the movement of the mind? Can you live with the feeling without the word, without the feeling that the word brings up? If you can, then you will discover an extraordinary thing, a movement beyond the measure of time, a spring that knows no summer.
J. Krishnamurti, Commentaries on Living